Hand-painted, ?Loreley? souvenir relief beer stein, brown/multi-colored, .5 liter, pointed pewter lid.
The Story of Lorelei
The Lorelei (German: Loreley, pronounced [lo???'la?]) is a rock on the eastern bank of the Rhine near St. Goarshausen, Germany, which soars some 120 metres above the waterline. It marks the narrowest part of the river between Switzerland and the North Sea, and is the most famous feature of the Rhine Gorge, a 65 km section of the river between Koblenz and Bingen that was added to the UNESCO World Heritage Sites in June 2002. A very strong current and rocks below the waterline have caused many boat accidents there. Lorelei is also the name of a feminine water spirit, similar to mermaids or Rhine maidens, associated with this rock in popular folklore and in works of music, art and literature.
The rock and the murmur it creates have inspired various tales. An old legend envisioned dwarves living in caves in the rock. In 1801, German author Clemens Brentano composed his ballad Zu Bacharach am Rheine as part of a fragmentary continuation of his novel Godwi oder Das steinerne Bild der Mutter. It first told the story of an enchanting female associated with the rock. In the poem, the beautiful Lore Lay, betrayed by her sweetheart, is accused of bewitching men and causing their death. Rather than sentence her to death, the bishop consigns her to a nunnery. On the way thereto, accompanied by three knights, she comes to the Lorelei rock. She asks permission to climb it and view the Rhine once again. She does so and falls to her death; the rock still retained an echo of her name afterwards. Brentano had taken inspiration from Ovid and the Echo myth. Statue of Lorelei by Ernst Herter: Heine memorial in The Bronx, New York In 1824, Heinrich Heine seized on and adapted Brentano's theme in one of his most famous poems, Die Lorelei. It describes the eponymous female as a sort of siren who, sitting on the cliff above the Rhine and combing her golden hair, unwittingly distracted shipmen with her beauty and song, causing them to crash on the rocks. In 1837 Heine's lyrics were set to music by Friedrich Silcher in the art song Lorelei that became well known in German-speaking lands. A setting by Franz Liszt was also favored and over a score of other musicians have set the poem to music. The Lorelei character, although originally imagined by Brentano, passed into German popular culture in the form described in the Heine-Silcher song and is commonly but mistakenly believed to have originated in an old folk tale. The French writer Guillaume Apollinaire took up the theme again in his poem "La Loreley", from the collection Alcools which is later cited in Symphony No. 14 (3rd movement) of Dmitri Shostakovich.